blodsow

21 Oct

Self-taught and instinct-driven, Blodsow’s art is deeply connected to natural elements like sand, mud, and jute, challenging conventions with fresh perspectives. His work explores themes of change, leadership, and materialism’s alienating effects, reshaping art history into potent reflections on contemporary issues. Blodsow’s creative process deconstructs and reimagines established works, blending past and present in conceptual, political, and material layers. Art critic Sadanand Menon describes his pieces as both surreal and hyper-real, inviting viewers to unravel complex layers and contemplate humanity’s evolving dance with creativity.

Referential fallacy – Fallacy 3

Transparency of the knower and the known
Size – Diptych- 29.5 x 43 inches each
Medium: Conte, ink, transparent ink, water, acrylic andpastels on Canson Montval watercolor paper (300gsm).
Year: 2010.

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Referential fallacy – Fallacy 6

Transparency of the knower and the known
Size :29.5 x 43 inches
Medium: Conte, ink, transparent ink, water, acrylic and pastels on Canson Montval watercolor paper (300gsm)
Year: 2010.

To Know More ↓

Referential fallacy – Fallacy 7

Transparency of the knower and the known
Size :29.5 x 43 inches
Medium: Conte, ink, transparent ink, water, acrylic and pastels on Canson Montval watercolor paper (300gsm)
Year: 2010.

To Know More ↓

Referential fallacy – Fallacy 9

Transparency of the knower and the known”
Size :29.5 x 43 inches
Medium: Conte, ink, transparent ink, water, acrylic and pastels on Canson Montval watercolor paper (300gsm)
Year: 2010.

To Know More ↓